![]() ![]() ![]() More power than other types of equalizers. Processing latency can be changed to obtain a lower CPU usage or a Of the filter can be lowered or increased (up to roughly 22 Hz) and the The knobs, the graph or by parameter automation is always done smoothlyĪdjustable resolution, latency and CPU usage. Given the uniquely immense gain range there's also aīuilt-in limiter whose knob lights up when over the adjustable threshold. GainsĪre represented logarithmically between -60 dB and +60 dB and linearlyīelow -60 dB. Some fainter harmonics by boosting their amplitude thousandfold. This allows you toĬompletely silence entire ranges of the spectrum or to really bring back Rate and all the graphics are perfectly anti-aliased. The whole interface respondsįluidly to change, even the frequency visualisation has a great frame Has a frequency resolution of about 10 Hz. It moves in a fluid manner in sync with the source sound and It's also fine tuned so that intensities at differentįrequencies are represented in a way that matches closely to our The intensity of frequencies before and after the filtering withĬolours. Logarithmic curve frequency display, this frequency analyser shows you You can modify the curve as a whole using the transpose function to shift the curve up and down by up to 10 octaves, affect the overall gain to shift all gain settings up or down evenly or even change the gain scale to apply a ratio to all gains, thus enabling you to either flatten, exaggerate or reverse the shape of a curve.įrequency analyser. You can create or disable bands by doubleĬlicking on the visualisation area of the interface and adjust themĮither in that area or using the knobs or even the automatable parameter sliders in the host's interface. Up to 60 bands (only up to 4 in the free version of ![]() Spline curve (this can be changed by changing the filter's resolution). Profile is displayed as a dashed curve when it differs from the ideal No filter types to choose from, all points simply define part of Filters are simply created byĭesigning a spline curve which can be made to adopt any imaginable Sound, only the intensity of frequencies, which makes it easier toĪchieve good sounding results. The more common minimum phase equalizers by not affecting the phase of You can also display, save and load static spectrum plots for comparison and matching purposes.Linear phase equalizer. CurveEQ also features a deeply-customizable spectrum analyzer like the one found in Voxengo GlissEQ and SPAN plugins. This technology also greatly helps in music mastering since it easily lessens any dramatic differences in the area of frequency balance between various tracks.ĬurveEQ’s filters can be switched between linear- and minimum-phase modes. In other words, this allows you to “copy” frequency balance of existing time-proven mixes so that other mixes that are still in the works may have a chance to sound better. ![]() CurveEQ perfectly suits the needs of mastering.Īdditionally, CurveEQ implements spectrum matching technology that allows you to transfer spectrum’s shape of one recording to another. This, in turn, allows you to get the best from your mix and your tracks. CurveEQ shows you the actual filter response you are designing by means of a spline (a smooth curvy line), plus it displays the spectrum, so you can readily see what the EQ is doing with the sound. Stereo, mid-side, 5.1 surround equalizerĬurveEQ is a spline equalizer AAX, AudioUnit, and VST plugin for professional sound and music production applications. ![]()
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